Hiya, readers. I’m writing to record my progress now that I’m halfway through my first Dissertation Bootcamp. I’ve written 23.5 pages in the last 2 weeks, 18.5 of them at Bootcamp. It’s a difficult environment for me because 1) it starts at 9am sharp, which is too early for my brain to function properly; 2) it’s only got limited access to drinks and snacks (Keurig coffee, tea, and granola bars are provided; I’ve been bringing my own Cheez-its and strawberries); and 3) it’s a total pressure cooker. Which is to say, about 20 of us sit at tables all in a row, surrounded by books and papers and laptops, staring quietly at each in turn. People only really get up for more caffeine or a restroom break, and the room is basically silent for 4 hours. As someone who works best in cafés and sometimes bars (yes, really), I find the silence a bit deafening–thank goodness for headphones!
Still, simply being stuck in this place with my dissertation and no interruptions every day has been good for my productivity; I’ve averaged about 1 page per hour overall, which maybe isn’t amazing but at least it’s steady. I doubt I’ll reach my original goal of completing the chapter by the end of next week, but I’m definitely heading into the final third of it now. Interestingly, the main reason I probably won’t finish it is that my sustained daily practice has led me to make a lot of interesting connections, discoveries, and the like which have enriched my initial plans and structure for the chapter. So, it’s a good thing, really, because now the chapter will be more dynamic (I hope). Given this experience, I’m starting to understand why many people highly recommend trying to work on one’s dissertation every day even if only for half an hour. Keeping your brain in the game, as it were, seems to yield more creative and nuanced thinking–which seems obvious now that I write it down. Of course, making time every day is easier said than done.
I’ve also discovered that, as far as writing a humanities dissertation goes, I’m very lucky that my project moves even this fast. Many of my colleagues have to spend far more time than I do combing through archives, or translating old texts, or slowly working their way through very dense theory. Because my project is historical (not theoretical) but based largely in close readings (rather than the accumulation of many objects) of mostly-available texts, I avoid many of the difficulties of other kinds of projects. Part of my “good luck,” of course, is due to my distinctly bad luck in discovering that I am barred from accessing several of the archives of the major stars I’m writing about, so I was forced to make my project more about readings of media objects themselves rather than their contexts and the discourses that circulated around them. I think we often forget, when we think about the process of dissertation research, writing, and pacing overall, that one size fits very few–even within the humanities.
Well, that’s about all I have to say for now, so to spice up this wall of text a bit, here’s an awesome screenshot of the Nicholas Brothers in Orchestra Wives (1942):